Chris Steele-Perkins, “BENIN and GHANA. 1983.
Bread distributed to refugees from Ghana.”
This Chris Steele-Perkins photograph
interested me because of the image’s composition, sharp black and white
contrast, and the photographer’s vantage point.
Vertically, the image is sharply divided into three areas, with one line
to either side of the bread falling through the middle third of the image. This division into thirds, while created by
the clustering of objects in the foreground, is heightened by the contrast
between the centralized bread and woman, and the darker background. The photograph’s black and white contrast is
presumably created through the photographer’s use of flash. Horizontally, there is a line drawn a little
above the middle of the image by the fingers of the woman’s reaching hands. What also
interests me is that the Steele-Perkins is looking down on the scene he is
photographing. He was therefore most
likely on the back of the truck from which bread is being thrown to the
refugees. While his vantage complicates
the scale of the subjects, it seems like Steele-Perkins used a normal lens, and
the effect is that the viewer is inserted into the action, in
the space of the falling bread.

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